Alexander Calder’s paintings reflect his artistic ingenuity and ability to create a unique visual language that coexists with his sculptural works. An extension of his thought process, the paintings and drawings are characterised by their vibrant colours, abstract forms, and playful compositions often rendered in bold primary colours and geometric lines to create striking contrasts and dynamic visual effects. He took inspiration from the natural environment, often incorporating animals, plants, and celestial bodies. His use of colour was not limited to its aesthetic appeal but was also a means to evoke emotions and create a sense of energy, suggesting motion or implying the existence of unseen forces.

Alexander Calder (b. Lawnton, PA in 1898) initially studied mechanical engineering but eventually shifted his focus to art. Calder's mobiles were a groundbreaking departure from traditional static sculptures composed of suspended elements that delicately balanced and moved in response to air currents, introducing a dynamic, ever-changing dimension to the art form. Calder also created stabiles, large-scale stationary sculptures of geometric shapes. His ability to imbue inanimate objects with a sense of vitality and movement was a defining aspect of his work. He received numerous accolades, including the prestigious Grand Prize for Sculpture at the Venice Biennale in 1952, marking the first time a sculptor had been honoured with this award. Today, Calder's works can be found in several prestigious museums around the world, including the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Guggenheim Museum in Bilbao, among many others. Calder died in New York, NY in 1976.