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United States, 1968-2023

Radcliffe Bailey United States, 1968-2023

Radcliffe Bailey
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In order to respond to your enquiry, we will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails. This site is protected by reCAPTCHA and the Google: Privacy Policy and Terms of Service apply.

RB 2019 Between Sea and Space
Radcliffe Bailey, Between Sea and Space, 2019

Radcliffe Bailey United States, 1968-2023

Between Sea and Space, 2019
mixed media including various objects and works on paper
157.48 x 119.38 x 20.32 cm
62 x 47 x 8 in

Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. RB 2019 Between Sea and Space
  • (View a larger image of thumbnail 2 ) Radcliffe Bailey, Notes from Tervuren, 2011
The artist interweaves past and present in his work, incorporating subjects ranging from jazz and diaspora to civil revolutions, astronomy, family roots, African and deities, which are simultaneously timeless and...
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The artist interweaves past and present in his work, incorporating subjects ranging from jazz and diaspora to civil revolutions, astronomy, family roots, African and deities, which are simultaneously timeless and timely. Radcliffe Bailey’s series of work presented in cabinets encompasses mixed media artworks including various objects on paper mounted on wood. Combining photographs in sepia tones, collages, ink and gouache, Bailey creates enigmatic narratives through his paintings inviting the viewer to find a personal storyline while expressing the artist’s signature perspective. Tackling subjects of history, the Middle Passage, ancestry, race and slavery, Bailey in his sculptures, installations and paintings repeatedly refers to these historical moments through the recurrent incorporation of elements such as African art, the sea, the railway, exotic plants, fishing boats and vessels.

Between Sea and Space, incorporates elements referring to African art, nature and the sea again alluding to the history of African Americans. On the lower part of the plexiglass there is a depiction of the sea in a very dark blue. On the other half of the painting, an ethnical figurine directs the viewer’s attention towards the middle of the artwork surrounded by foliage drawings and footprints. Similarly, as for the other works in this series, the plexiglass as well as the background is ornated with geometrical forms. On the top of the painting two spike-shaped elements are directed at the ethnic figurine, giving it a threatening appearance.
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Exhibitions

Filling in the Pieces in Black, Curated by June Sarpong, MARUANI MERCIER Gallery, October 2023 - January 2024, Brussels, Belgium
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