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Hank Willis Thomas, Angola Bound, 2014 Installation View: Memory, MARUANI MERCIER, March 21 - Apr 20, 2024, Brussels, Belgium
Hank Willis Thomas, Angola Bound, 2014 Installation View: Memory, MARUANI MERCIER, March 21 - Apr 20, 2024, Brussels, Belgium
Hank Willis Thomas, Angola Bound, 2014 Installation View: Memory, MARUANI MERCIER, March 21 - Apr 20, 2024, Brussels, Belgium

Hank Willis Thomas United States, b. 1976

Angola Bound, 2014
quilt made out of decommissioned prison uniforms
238.76 x 165.1 cm
94 x 65 in
framed: 247.01 x 168.28 x 6.35 inch

Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Hank Willis Thomas, Angola Bound, 2014
  • (View a larger image of thumbnail 2 ) Hank Willis Thomas, Angola Bound, 2014
  • (View a larger image of thumbnail 3 ) Hank Willis Thomas, Angola Bound, 2014
This fabric-based piece is comprised of used and new prison uniforms. It highlights the problematic and growing scale of the Prison Industrial Complex in the United States. It is ironic...
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This fabric-based piece is comprised of used and new prison uniforms. It highlights the problematic and growing scale of the Prison Industrial Complex in the United States. It is ironic that in "the land of the free,” the United States imprisons more individuals than anywhere else in the world. In this body of work, Thomas aims to critique a system that outwardly promotes rehabilitation and solutions to social problems while contradictorily sustaining corporate interests and undermining the safety and needs of citizens.

Hank Willis Thomas (b. 1976 Plainfield, NJ) lives and works in Brooklyn, NY as a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. His work has been exhibited throughout the United States and abroad including the International Center of Photography, Guggenheim Museum Bilbao, Musée du quai Branly, Hong Kong Arts Centre and the Witte de With Center for Contemporary Art.

His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), The Writing on the Wall, and For Freedoms. In 2017, For Freedoms was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is a recipient of the Gordon Parks Foundation Fellowship (2019), The Guggenheim Fellowship (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), Aperture West Book Prize (2008), Renew Media Arts Fellowship from the Rockefeller Foundation (2007), and the New York Foundation for the Arts Fellowship Award (2006). He is also a member of the Public Design Commission for the City of New York.

In 2019, Thomas unveiled his permanent work "Unity" in Brooklyn, NY. In 2017, “Love Over Rules” permanent neon was unveiled in San Francisco, CA and “All Power to All People” in Opa Locka, FL. Thomas holds a B.F.A. from New York University, New York, NY (1998) and an M.A./M.F.A. from the California College of the Arts, San Francisco, CA (2004). He received honorary doctorates from the Maryland Institute of Art, Baltimore, MD and the Institute for Doctoral Studies in the Visual Arts, Portland, ME in 2017.
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