Larry Amponsah (b. 1989, Accra, Ghana) is a multimedia artist whose practice investigates traditional modes of image-making whilst employing unconventional strategies of production to look at the contemporary politics of imagery. Amponsah, traditionally trained as a painter, creates collages made of archival images, objects, and stories from various cultures in order to negotiate systems of power and create new ways of transcending boundaries. Amponsah transforms, prints and cuts into archival images, which he assembles in collages that are further worked upon using mechanical processes and his honed skills as a trained painter. In this succession of strategic moves about image-making techniques, dynamic compositions emerge, as well as compelling narratives or portraits that reference his own West African upbringing within a greater global narrative.