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Curated by June Sarpong | Saatchi Gallery
, Saatchi Gallery | London, UK, 31.10 - 26.11.2023Filling in the Pieces in Black

Curated by June Sarpong | Saatchi Gallery: Filling in the Pieces in Black
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In order to respond to your enquiry, we will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails. This site is protected by reCAPTCHA and the Google: Privacy Policy and Terms of Service apply.

Joshua Oheneba-Takyi, Phthalo Blue Monobloc, 2023
Joshua Oheneba-Takyi, Phthalo Blue Monobloc, 2023 Installation view: Filling in the Pieces in Black, Curated by June Sarpong, 2023, MARUANI MERCIER & Saatchi Gallery, London, UK
Joshua Oheneba-Takyi, Phthalo Blue Monobloc, 2023
Joshua Oheneba-Takyi, Phthalo Blue Monobloc, 2023
Joshua Oheneba-Takyi, Phthalo Blue Monobloc, 2023

Joshua Oheneba-Takyi Ghana, b. 1997

Phthalo Blue Monobloc, 2023
oil on canvas
219.5 x 179.5 cm
86 3/8 x 70 5/8 in

Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Kaloki Nyamai, Untitled, 2023
  • (View a larger image of thumbnail 2 ) Kaloki Nyamai, Untitled, 2023
  • (View a larger image of thumbnail 3 ) Kaloki Nyamai, Untitled, 2023
  • (View a larger image of thumbnail 4 ) Kaloki Nyamai, Untitled, 2023
  • (View a larger image of thumbnail 5 ) Kaloki Nyamai, Untitled, 2023
Joshua Oheneba-Takyi (b. 1997, Kumasi, Ghana) is a young, promising artist who spends his time researching and deepening his artistic practice at his studio in Accra. His latest series of...
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Joshua Oheneba-Takyi (b. 1997, Kumasi, Ghana) is a young, promising artist who spends his time researching and deepening his artistic practice at his studio in Accra. His latest series of paintings explore the making and perception of memory through visual documentation of the ephemerality of instances via our interaction with chairs. The paintings expose the attachment of the subconscious to the seemingly mundane, and the extent to which they have an affectation on our affairs as objective commentators and passive participants. Capturing the moment of stillness, emphasising the physical limitation of mobility in confrontation with memory is the central theme in this body of work. Oheneba-Takyi takes on a psychological approach to figurative representation. The dramatic, dance-like poses are rendered in a moody colour palate. Broad brushtrokes and seemingly unfinished segments of the canvas reveal a rawness indicative of the artist's hand and the emotions he aims to capture.
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Exhibitions

Filling in the Pieces in Black, Curated by June Sarpong, Saatchi Gallery (Organized by MARUANI MERCIER Gallery, Belgium), October - November 2023, London, UK
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