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“Stella’s use of eye-popping colors and commonly available house paint in once-fashionable designer hues formed another bridge between contemporary movements, in this case between the industrial aesthetic of Minimalism and the new color vibrancy of Pop Art… While Warhol’s own colors often range from dazzling to melancholic, Stella’s approach is more like that of a mad color scientist, but with an academic pedigree.”
Michael Auping in Exh. Cat., New York, Whitney Museum of American Art, Frank Stella: A Retrospective, p. 24
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Frank Stella, New York, 1959
© Hollis Frampton
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“I do not visualize ideas: I apply a paintbrush, the imprints of the paintbrush become visible, and this may be generative of new ideas.”
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“My goal is to bring the viewer to the threshold of narrativity without crossing over, to bring the viewer to the state of pure pictorially.”
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Lasker in his New York studio in 2007.
© Intermuseum Conservation Association