-
Lynda BenglisElectrical Wrap, 2024gray onyx87 x 105 x 32 cm
34 1/4 x 41 3/8 x 12 5/8 in -
Josef Albers1888-1976Study for Homage to the Square: Trusted, 1958monogramed and dated lower right “A58”; signed, titled and dated on the reverse.oil on masonite76 x 76 cm
29 7/8 x 29 7/8 in -
Georg Baselitz1938Immer noch unterwegs, 2014oil on canvas300 x 400 cm
118 1/16 x 157 7/16 in -
Georg Baselitz1938Abgarkopf, 1983China ink, water colour, gouache on Fabriano handmade paper65.7 x 47.7 cm
25 7/8 x 18 3/4 in -
Ross BlecknerTouch and Go, 2024signed and datedoil on linen182.9 x 152.4 cm
72 x 60 in
framed: 187 x 156.4 x 7.5 cm -
Ross BlecknerPoverty Bouquet, 1986signed, titled and dated 'POVERTY BOUQUET Ross Bleckner 1986' (on the reverse)oil on linen121.9 x 101.6 cm
48 x 40 in
framed: 137 x 116 x 5 cm -
Francesco Clemente1952Love (White patina), 2025signature and edition number engraveda pair of two mirrored figures white painted bronze147 x 75 x 45 cm
57 13/16 x 29 8/16 x 17 11/16 inEd. 1/6(Edition record) -
Jean Dubuffet1901-1985Site Philosophique, 1974Signed with artist's initials and dated ’74’ on the bottom right corner signed, titled and dated on the reversevinyl on canvas203 x 130 cm
79 7/8 x 51 1/8 in -
Jean Dubuffet1901-1985Mire G 66 (Kowloon), 1983signed and dated on the top leftacrylic on paper adhered to canvas68 x 100 cm
26 3/4 x 39 3/8 in -
Pam GlickBut I’m A Cheerleader, 2024signed, titled and dated on the reverseoil and acrylic on canvas51 x 51 cm
20 1/8 x 20 1/8 in -
Peter HalleyTwo Cells III, 2024signed and datedacrylic and Roll-a-Tex on canvas66 x 105.4 x 10.2 cm
26 x 41 1/2 x 4 in -
Peter HalleyTwo Cells (24-Y7), 2024signed and dated on the reverseacrylic and Roll-a-Tex on canvas76 x 121 cm
29 7/8 x 47 5/8 in -
Simon HantaïEtude, 1970This work is registered in the archives of Galerie Jean Fournier under number CF-3-0-19. This work will be included in the forthcoming Catalogue Raisonné of the artist currently being prepared by the Archives Simon Hantaï.oil on canvas100 x 77 cm
39 3/8 x 30 1/4 in -
Sol LeWitt1928-2007Vertical Brushstrokes, 1992signed and dated ‘S. LeWitt 1992’ bottom rightgouache on paper152.4 x 86.4 cm | 60 x 34 in
framed : 171 x 105 x 6.5 cm -
Robert Mangold1937A Square Within Two Triangles, 1977signed, titled and dated 1977 (on the reverse)acrylic on Masonite with color pencil, on 2 joined panels45.7 x 97.2 cm
18 x 38 1/4 in -
Tony Matelli795, 2025Acompanied by a certificate of authenticitypainted bronzeunique
64.8 x 33 x 27.9 cm
25 1/2 x 13 x 11 in -
Tony Matelli794, 2025Acompanied by a certificate of authenticitypainted bronzeunique
43.2 x 33 x 22.9 cm
17 x 13 x 9 in -
Tony Matelli805, 2025Acompanied by a certificate of authenticitypainted bronzeunique
41.9 x 22.9 x 22.9 cm
16 1/2 x 9 x 9 in -
Robert Rauschenberg1925 - 2008Colorado (Urban Bourbon), 1989This artwork is registered on the Robert Rauschenberg Foundation archives under number 89.074.
Signed and dated ‘Rauschenberg ‘89’ lower centre;
inscribed ’89.74’ on the reverseacrylic and enamel paint on enamelled sheet aluminium122 x 122 x 4 cm | 48 x 48 x 1 5/8 in
framed : 123.8 x 123.8 x 4 cm | 49 x 49 x 1.5 in -
George RickeyConversation – Mondrian Meets Malevich, 1990stainless steel30 x 9 1/2 x 8 in
76.2 x 24.1 x 20.3 cmEd.2/3(Edition record) -
George RickeySingle Line, 1964-1970stainless steel
unique29.2 x 49.5 x 7.6 cm
11 1/2 x 19 1/2 x 3 in(Edition record) -
George RickeyConstruction, 1951-52steel, polychrome
unique63.5 x 68.6 x 43.18 cm
25 x 27 x 17 in -
Christopher Wool1955D59 , 1997signed and dated on the reverseenamel on rice paper168 x 122 cm
66 2/16 x 48 1/16 in
framed: 180.5 x 133.5 x 4 cm -
Christopher Wool1955Untitled, 2000signed, titled, dated and numbered “S149” on the horizontal bar of the strainer.Silkscreen ink and paint on canvas167.8 x 122 x 2.7 cm
66 x 48 x 1 in
