Georg Baselitz Germany, b. 1938
25 7/8 x 18 3/4 in
Baselitz masterfully straddles the line between figuration and abstraction. His upside-down approach seeks to strip forms of their conventional meaning, breathing new life into a medium that was thought to be fading. Alongside artists like Anselm Kiefer and Gerhard Richter, he revitalised figurative painting, infusing it with tactile intensity and a profound appreciation for the sensuous nature of paint itself, even experimenting with finger-painting techniques in the 1970s.
Provenance
Private Collection, UKDaniel Blau, Maximilianstrasse 26, D-80539 Munich, Germany
Exhibitions
Rex Irwing, 38 Queen Street, Sydney Australia. August 30 - September 24, 2011Nulla dies sine linea. 1960's German Drawings from the Gachnang Collection, p.4, Galerie Daniel Blau, München 2006
Baselitz - Zeichnungen, München 1986
Georg Baselitz - Zeichnungen 1958-1983, Jan. 28 - Feb. 26, 1984, Van Abbemusseum Eindhoven, 1984
Georg Baselitz. Gravures 1963-1983, Cabinet des Estampes Musée d'Art et d'Histoire Genève, Genève 1984
Georg Baselitz, Oct. 3 - Nov. 29, 1981, Kunstverein, Braunschweig 1981
Georg Baselitz, Tekeningen/Zeichnungen, Groninger Museum Feb. 24 - March 18, 1979, Groningen 1979
Georg Baselitz, Zeichnungen und Radierungen 1960-1970, Oct. 5 - Nov. 5, 1972, Staatliche Graphische Sammlung München, Munich 1972
Literature
Nulla dies sine linea. 1960's German Drawings from the Gachnang Collection, p.4, Exhibition
catalogue, Galerie Daniel Blau, Munich 2006