Overview

Whatever specific meaning the artist puts into a work, it will always retain its promise as a gift, its destiny as a keepsake. This is the artwork I am interested in making: an object filled with the absence of certain meaning, and yet rich with the quality of meaningfulness in and of itself.

In his sculptures, drawings, and photographs, Allan McCollum applies the strategies of typologies and mass production to handmade objects, creating vast installations of small-scale works. 

Biography

It's fascinating and touching that people work so hard to build an imminent meaning into things; that they pursue their desire to produce symbolic objects for themselves to keep, and to exchange with others. In our culture, an artwork is an object of this kind; and whatever specific meaning the artist works to put into it, it will always retain its promise as a gift, its destiny as a keepsake. 

Allan McCollum was born 1944, in Los Angeles, California. He creates sculptures exploring the correlation between the individuality of an object as well as its derivation from mass production, reflecting on today’s society. Inspired by the Fluxus movement and artworks by conceptual artists, such as Sol LeWitt and Daniel Buren, Allan McCollum introduced an artistic process of studio manufacture of sculptural objects made in unlimited editions. He is creating a seemingly infinite number of objects, indiscernible from one another, displayed on walls or laid out on tables. Using the multiple as a point of departure, McCollum questions the impact of...
Works
  • Allan McCollum, Collection of 9 Perfect Vehicles, 1988
    Allan McCollum
    Collection of 9 Perfect Vehicles, 1988
    enamel paint on hydrostone
    9 x 49.5 x 24 cm
    3 8/16 x 19 7/16 x 9 7/16 in
  • AMC 1988 Collection of Six Plaster Surrogates Gille
    Allan McCollum
    Collection of Six Plaster Surrogates, 1988
    acrylic on plaster
    24.3 x 101.5 x 2.9 cm
    9 9/16 x 39 15/16 x 1 2/16 in
    I Blue ref:M-20 PL187-20 size: 16,7cm x 10,3cm x 1,9cm
    II Red ref:M-13 PL 185-13 size: 24,0cm x 18,5cm x 2,9cm
    III Green ref:M-15 PL 216-15 size: 21,7cm x 15,8cm x 2,9cm
    IV Pink ref:M-18 PL 207-18 size: 15,4cm x 12,7cm x 1,9cm
    V Yellow ref:M-14 PL 203-14 size: 24,3cm x 15,3cm x 2,6cm
    VI Grey ref:M-17 PL 606-17 size: 17,8cm x 10,2cm x 1,9cm

    9 1/2 x 39 3/4 x 3/4 in
  • Allan McCollum, Perfect Vehicles (five vessels), 1986
    Allan McCollum
    Perfect Vehicles (five vessels), 1986
    Enameled hydrocal
    50 x 21 x 21 cm
    19 10/16 x 8 4/16 x 8 4/16 in
    each : 50 x 21 x 21 cm
  • Allan McCollum, Collection of Seven Plaster surrogates, 1985
    Allan McCollum
    Collection of Seven Plaster surrogates, 1985
    enamel on hydrostone plaster in seven parts
    Four surrogates size: 7 x 4 inches (17.8 x 10.2 cm)
    One surrogate size: 6 1/8 x 5 inches (15.6 x 12.7 cm)
    One surrogate size: 5 x 4 inches (12.7 x 10.2 cm)
    One surrogate size: 8 5/8 x 6 1/4 inches (21.9 x 15.9 cm)
    Each are signed, numbered and dated on reverse
    (Inventory #28519)
    Four surrogates size: 17.8 x 10.2 cm
    One surrogate size: 15.6 x 12.7 cm
    One surrogate size: 12.7 x 10.2 cm
    One surrogate size: 21.9 x 15.9 cm
  • Three Individual Plaster Surrogates
    Allan McCollum
    Three individual "Plaster Surrogates", 1984
    enamel on cast hydrocal plaster in three parts
    a) 21.6 x 16.5 x 2 cm I 8.5 x 6.3 x 0.7 in
    b) 15.2 x 12.7 x 2 cm I 5.9 x 4.7 x 0.7 in
    c) 15.2 x 10 x 2.2 cm I 5.9 x 3.9 x 0.8 in
  • AmcC 1987 Collection of 3 Plaster Surrogates
    Allan McCollum
    Collection of Three Plaster Surrogates, 1984
    enamel paint on hydrostone
    50.8 x 120 x 4.4 cm
    20 x 47 3/16 x 1 11/16 in
  • IMG_6861
    Allan McCollum
    Collection of Five Plaster Surrogates, 1982-1990
    enamel paint on hydrostone
    51 x 40,5 cm
    43,5 x 25,5 cm
    40,6 x 33.3 cm
    51 x 40,5 cm
    41 x 30,5 cm
    a: 51 x 40,5 cm
    b: 43,5 x 25,5 cm
    c: 40,6 x 33.3 cm
    d: 51 x 40,5 cm
    d: 41 x 30,5 cm
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