Man Alive: Group Exhibition Curated by Wendy White
The figurative painters in Man Alive are leading the charge of redefining canonized subject matter. Jordan Casteel, a keen observer, tells a story of black men’s lives that is not often told in portraiture.
Marilyn Minter, once shunned by the art world for being too explicit, deals out a warrior’s critique of representation and consumption. In Mickalene Thomas’ works, black women take the place historically reserved for Western art history’s leading men.
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Liz MarkusWildfox USA, 2016acrylic and collage on canvas152.4 x 109.22 cm
60 x 43 in -
Wendy WhiteWe Go High, 2016Inkjet and acrylic on three canvases dibond182.88 x 153.035 cm
72 x 60 1/4 in -
Nathlie ProvostyTechniques of Recognition II, 2016o /l48.3 x 38.1 cm
19 1/16 x 15 in -
Nina Chanel AbneyAgree to Disagree (YES NO), 2015Ultra chrome pigmented print acrylic and
spray paint on canvas142.24 x 142.24 cm
56 x 56 in -
Jordan CasteelPatrick and Omari, 2015oil on canvas182.88 x 137.16 cm
72 x 54 in -
Judith BernsteinBirth of the Universe: Gold Cunt, 2013oil on canvas236 x 238 cm
92 14/16 x 93 11/16 in -
Ruth RootUntitled, 2015Fabric Plexiglas enamel paint and spray paint226.06 x 233.045 cm
89 x 91 3/4 in -
Joanne GreenbaumUntitled, 2016oil acrylic pencil marker on canvas177.8 x 165.1 cm
70 x 65 in -
Rosson CrowThe Man Who Saw Tomorrow, Today and Yesterday, 2016acrylic spray paint photo transfer and oil on canvas152.4 x 121.92 cm
60 x 48 in -
Rochelle FeinsteinStay, 2001cibachrome acrylic /c83.82 x 83.82 cm
33 x 33 in -
Pat SteirOuter Lhamo Waterfall, 1992o /c287 x 228.6 cm
112 15/16 x 90 in
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