Overview

What interests me in art is its ability to synthesize. The shape of an artwork, what it makes you think of. The volume it occupies. The action needed to move it. The implied references. This is why I love children, they have no prism or preconceptions and get straight to the point. Art is exactly that.

Inspired by Marcel Duchamp and Piet Mondrian, French artist Mathieu Mercier explores the relationship of modernity and the everyday object, recyclingforms in his conceptual artworks that combine humor and aesthetics. 

Biography

What interests me is the fact that there is no invention in DIY. There is no taking a position, even if there is a possibility. The question is why someone who tinkers, represents, or always remakes existing models, brings the object back to the prototype state already found on the market. The main question is who manages models and for what purposes?

Mathieu Mercier is a contemporary French conceptual artist who uses everyday objects to explore the boundaries between functionality and artistic purposelessness. His work investigates key tropes of modern art and design, bridging media and styles in its interrogation of utopian movements such as De Stijl and Russian Constructivism, all while engaging mass-produced consumer objects. Mercier questions the larger cultural context within which these objects exist, often referencing avant-garde artists such as Marcel Duchamp and Piet Mondrian.

Born in 1970 in Conflans-Sainte-Honorine, France, Mercier went on to study at the École nationale supérieure d'art in Bourges, among other institutions. He has exhibited at many major museums around the world, including solo shows the Centre Georges Pompidou in Paris, FRAC in Bourgogne, Centre d’Art Contemporain d’Ivry, and the Kunsthalle Nürmberg, amongst others. In 2003, Mercier was honored with the prestigious Marcel Duchamp award.

He lives and works in Paris, France.

Works
  • Mathieu Mercier, Diptyque XL, 2019
    Mathieu Mercier
    Diptyque XL, 2019
    acrylic on canvas
    240 x 200 cm
    94 7/16 x 78 11/16 in
    2 x 240 x 200 cm
  • Mathieu Mercier, The King, His Lover and Their Bastard (#2), 2016
    Mathieu Mercier
    The King, His Lover and Their Bastard (#2), 2016
    maple walnut
    40 x 40 x 4 cm
    15 11/16 x 15 11/16 x 1 9/16 in
    40 x 40 x 4 cm
    32 x 32 x 4 cm
    24x 24 x 4 cm
  • 2015-016
    Mathieu Mercier
    Peinture, 2015
    acrylic on canvas
    Diameter: 150.0 cm
  • 2014-061
    Mathieu Mercier
    Triptyque, 2014
    acrylic on canvas
    a)180 x 35 x 10 cm
    b) 200 x 109 x 15 cm
    c) 185 x 24 x 5 cm
  • Mathieu Mercier, Sublimation (Umbrella), 2013 / 2018
    Mathieu Mercier
    Sublimation (Umbrella), 2013 / 2018
    color palette and corian
    95 x 25 x 25 cm
    37 6/16 x 9 13/16 x 9 13/16 in
  • Mathieu Mercier, Sans titre (Grille), 2012
    Mathieu Mercier
    Sans titre (Grille), 2012
    métal peinture
    69 x 57 x 11 cm
    27 2/16 x 22 7/16 x 4 5/16 in
  • Mathieu Mercier, Sans titre (Corian noir blanc), 2012
    Mathieu Mercier
    Sans titre (Corian noir blanc), 2012
    corian noir & blanc
    6.5 x 25 x 25 cm
    2 8/16 x 9 13/16 x 9 13/16 in
  • 2012-052
    Mathieu Mercier
    Last day bed, 2012
    corian
    160 x 110 x 53 cm
    62 15/16 x 43 4/16 x 20 13/16 in
  • Mathieu Mercier, Sans titre, 2003-2015
    Mathieu Mercier
    Sans titre, 2003-2015
    masque de baseball acier
    38 x 30.4 x 30.4 cm
    14 15/16 x 11 15/16 x 11 15/16 in
  • Mathieu Mercier, d&b - D.C. FIX, 2002-2019
    Mathieu Mercier
    d&b - D.C. FIX, 2002-2019
    mixed media
    50 x 52.5 x 16 cm
    19 10/16 x 20 10/16 x 6 4/16 in
  • Mathieu Mercier, d&b MP, 2002-2019
    Mathieu Mercier
    d&b MP, 2002-2019
    mixed media
    100 x 91.7 x 29 cm
    39 5/16 x 36 1/16 x 11 6/16 in
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